It’s just that D shit, D’s short for do-what-I-wanna-doĪnd that’s what I’m gonna do, right here in front of youĪnd I be runnin you and your man straight up out That’s why I take shit (UHH) whenever I see shit (UHH) I ain’t never been shit (UHH) and ain’t gon’ be shit (UHH) My moms never let me forget, that I’m a bastard “A tisket, a tasket, I really need my ass kicked The latter takes self-depraved nihilism to levels even Tupac would’ve found impressive:

To keep the energy going, the soundtrack’s producers inserted Limp Bizkit’s “Rollin’ (Urban Assault Vehicle)” – possibly the best and most likeably hip-hop song from Fred Durst since “N 2 Gether Now.” No surprise that Method Man is on both tracks although this time he gets more than credible assistance from fellow weedhead Redman and the quintessential big dog of hip-hop, DMX. Dre’s “The Watcher” and “Fuck You” in succession. Kelly’s “Fiesta (Remix)” have a short but entertaining “Freestyle” immediately afterwards rapping over the beats to Dr. Rappers Boo and Gotti, best known as the Rockland all-stars on R. This soundtrack does seem to find fresh life and new direction whenever it loses ground, and the brutally vivid “Hustlin'” by Fat Joe and Armageddon would do the late Christopher Rios (Big Pun) proud. Noreaga has no spiritual problems on “Tudunn Tudunn Tudunn” with Funkmaster Flex – he bangs mercilessly to “take a nigga hockey mask off like Jason.” Such thugged out behavior is usually Nore’s calling card, but unfortunately SPKilla’s beat sounds like an uninspired throwaway from a Busta Rhymes album and even the usually hyped up rapper seems to have failed to find inspiration in it. It sounds like the only thing Black Child believes in is killing anybody who gets in his way and he should just leave God out of it. Although his faith sounds believable with the rhyme “If killin niggaz is wrong, God forgive me for my sins” at the start, he shows no remorse latter when he raps, “The Lord is my shepherd and the gun’s my weapon nigga we lust to bust, in guns we trust.” So what does Black Child believe in, guns or God? Even a non-practicing Christian or atheist will find his raps confusing. Taking a cue from DMX, Murderer member Black Child drops a song called “The Prayer” but comes across with less sincerity that to some may in fact be offensive. You gotta start thumpin these niggaz off your nutsac” The album gets back some octane with the menacing Scarface track “Suicide.” This seriously underrated rapper continues to show the skills that make him just as relevant in the 21st century as he was in the 1980’s when he was better known as Akshun:Īnd my advice to any nigga if you grind then you do what works Kelly jam called “Take My Time Tonight.” It’s a throwaway in a sense – good enough for anybody who already likes him, but not a track that will generate new legions of converts. The mostly more mellow part of the album closes out with a nicely produced and sung R. The following song “Furious” does feature energetic flows from Rule and fam, but Dat Nigga Reb’s beat is too simplistic and uninspiring to generate any interest – just being fast and having a bassline isn’t enough. Of the two the latter is a clear winner and not just because of Ja’s verse – Tank’s delivery is energetic and animated where Ashanti just comes off as another run-of-the-mill slow jam/quiet storm artist. I suspect people coast to coast are reprogramming their cell phones trying to reproduce the electronic notes that form the basis for Tah’s energetic big baller anthem.įor those who aren’t too into R&B music, the album does slow down a bit at this point with Ashanti’s “When a Man Does Wrong” and Tank’s “Race Against Time Part 2” featuring Ja Rule. Fingaz and Irv Gotti have a sadistic hit on their hands with this cut – once you hear it you can’t get it the FUCK out of your head. This album starts out very strongly on two high notes – first the “Good Life Remix” from Faith Evans featuring all of Ja Rule’s fellow Murderers dropping cameo verses and then member Caddillac Tah (formerly Tah Murdah) on the bangin’ beeper sounds of “Pov City Anthem.” Mr. If Ja Rule were to release a “presenting my dogs” record, this would be the one – and they largely do him justice on it. Produced by self-described “crime boss” Irv Gotti and featuring self-described “murderer” Ja Rule throughout, this soundtrack and debut record for the Murder Inc.

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